Daniel Romano, T. Hardy Morris, Deli Kings

Daniel Romano

T. Hardy Morris

Deli Kings

Sun, January 27, 2019

Doors: 7:00 pm / Show: 8:00 pm

The Camel

$15.00

Daniel Romano
Daniel Romano
DANIEL ROMANO - "FINALLY FREE"

"Finally Free" marks Daniel Romano's eighth long playing album in the last eight years. He has had what understatedly would be considered a prolific output of incredibly entrancing, poignant and creative records in this span of time. Recording, producing, designing and landing his records into the minds and hearts of scores of fans the world over. He has been called a shapeshifter, contrived, a chameleon, a Charlatan, the best living songwriter, an asshole and a genius. His last record, "Modern Pressure" received outstandingly high acclaim and praise from every notable publication out there and was acknowledged by most reputable "for-profit-prize-corporations" as well as a plethora of voguish "music-as-competitive-sport" year end lists. Despite being the bronze placeholder in most of these dogfights, he is most often noted as a person of astounding influence on all of his musically economic successors.

"No matter what he does, everything he puts out is better than anything else being put out by anyone else." - Unnamed Subjugate.

Romano's new effort "Finally Free" could stand alone as being pivotal if it were only its profound and breathtaking prose on paper. Writing now like an agnostic Whitman in his prime, Romano explores and uncovers new language and meaning for old sentiments grown tired, stating, "these poems are most certainly my finest and most principled efforts to date." Finally Free sings like a radical revelation, exploring the concepts of music as a celestial being, flora as a consequential ancestor and singing, no matter its quality or sound, as the endmost important output of our species. This record contains a vivid religious articulation despite its clear condemnation of a god as a singular ruling white male. New words have replaced old words for new meaning and the definitions have been left up to interpretation. It seems safe to say that Romano has broken the literary soil hard and ferociously to find the remaining repose in our current "danse macabre."


This masterful record could easily transfix listeners if it were merely a collection of beautifully arranged and recorded instrumentals. Romano told me this record was recorded with one single microphone in "sitting vocal position". He went on to say "I wrote the songs as I recorded them and I had a guitar amplifier to my right and a bass amplifier to my left. The drums were behind me and my chair in the middle. The microphone never moved no matter what instrument I was recording and the preamp settings never changed. I basically mixed the room instead of the individual tracks." Finally Free was recorded on a 4 track Tascam cassette recorder. This means Romano was making constant stream of consciousness commitments to everything that was being recorded in order to bounce them down to stereo and free up tracks for additional elements. A method virtually unused by his peers. "On every record I make strict limitations for myself. This was by far the most extreme, but I also believe it has rendered the most honest and liberating results." Romano, no matter how many times I asked, wouldn't disclose what microphone was used.

Overall, this record harks back to Romano's early studies and obsessions in traditional folk music while simultaneously conveying a surprisingly modern and engaging aesthetic. Dense with new wisdom and blissfully encouraging in these end times.

"FINALLY FREE" is available everywhere worth going NOV, 30th, 2018 on You've Changed Records in Canada and New West Records everywhere else.
T. Hardy Morris
T. Hardy Morris
Athens, Georgia's T Hardy Morris (Dead Confederate, Diamond Rugs) is set to release his third solo album on June 22, 2018. Titled Dude, The Obscure, the album is a work that Morris says, "flowed from a creative space I found at the intersection of dreams and reality." In captivating songs, Morris sheds the traps of ambition and nostalgia and uncovers the strange satisfaction of living in the moment.

Even the album title, Dude, The Obscure, hints at self-discovery. In an homage to English author Thomas Hardy’s novel, “Jude, The Obscure,” Morris reveals his love for literature, philosophy and poetry — along with a secret about his stage name.

“Thomas Hardy is my given name, and Dude, The Obscure is a moniker I considered using as an artist,” Morris said. “The hat tip to the novel seemed appropriate for the album because it deals with doubts, joys, regrets and spirituality, a lifelong journey and such."

Each song on the album seems compelled by Morris’ desire to help himself— and others— conquer the void of everyday meaninglessness. It’s an effort philosopher Maurice Blanchot described as the anguish of writing: “You have to cross an abyss, and if you do not jump, you do not comprehend.” Morris takes that leap to find universal truth by navigating sometimes opposing perspectives within moments that change lives. Morris beautifully warns us not to succumb to the fear of missing out that stands in the way of contentment on the album’s defining moment, “Cheating Life, Living Death.” Every dream is an invitation/ To leave your love up on the shelf/ When you walk out every evening/ Cheating life and living death."

For the sessions, Morris made the familiar pilgrimage to Adam Landry’s home studio in Nashville. The longtime collaborators took their time and gave each song the opportunity to grow unaffected by outside influence except the magic that happens when two friends lock themselves in a smoky shed to make music, and a few pals stop by.

Within 11 powerful songs, the Athens rocker reveals scars and shares lessons from an indie-rock odyssey that has taken him around the world and back home to find himself a little older and closer to something like enlightenment.

And just in time for a new journey to begin.
Deli Kings
Deli Kings
Chris Matz - Bass
Gray Stephenson - Guitar
Nick Michon - Lead Guitar
Nick Morrison - Vocals
Nathan Kidd - Drums
Venue Information:
The Camel
1621 W. Broad Street
Richmond, VA, 23220
http://www.thecamel.org