BJ Barham (of American Aquarium) - The Great 48 Tour

BJ Barham (of American Aquarium) - The Great 48 Tour

Charley Crockett, Jon Brown

Mon, May 8, 2017

Doors: 7:00 pm / Show: 8:00 pm

The Camel

$15.00

BJ Barham
BJ Barham
For nearly a decade, American Aquarium have spent the majority of their days on the road, burning through a sprawl of highways during the day and playing hours of raw, rootsy rock & roll at night. Sometimes, the job is a grind. Most times, it's a blessing. American Aquarium's songs, filled with biographical lyrics about last calls, lost love and long horizons, have always explored both sides of that divide. For every drunken night at the bar, there's a hangover in the morning. For every new relationship, there's the chance of a broken heart. It's that kind of honesty — that sort of balance — that makes the band's newest album, Wolves, their strongest release to date.

And it nearly didn't happen. When American Aquarium traveled to Muscle Shoals to record Burn.Flicker.Die. in 2012, they were convinced the album would be their last. Even though they had enlisted the help of award-winning singer-songwriter Jason Isbell to produce the sessions, they were exhausted; weathered and whittled to the bone by more than a half-decade of heavy partying and heavier touring. To a small group of diehard fans, they were absolute rockstars… but being rockstars to a cult audience doesn't always put food on your table or gas in your tank. BJ Barham, the band's frontman, was so poor that he'd been living out of a storage unit for months, unable to afford an apartment in the band's hometown of Raleigh, North Carolina.

Clearly, something had to give. Maybe it was time to make one final album — an album about failure, desperation and disillusionment — and then throw in the towel.

As fate would have it, Burn.Flicker.Die. eventually proved itself to be the band's most successful release to date. Critics loved it. Fans rallied behind it. Fast forward 2 years and almost 500 shows later, the band has travelled the world, quadrupled their fan base and reinvented their passion for the road. When the time came to record another album in June 2014, it only made sense to do something that celebrated survival rather than failure.

The result? Wolves, which Barham describes as "the sound of a band firing on all cylinders". Produced by Megafaun's Brad Cook and recorded during a 20-day stay at Echo Mountain Studios in Asheville, NC, Wolves was funded entirely by American Aquarium's diehard fanbase. The album's 10 tracks represent a departure from the band's signature twang. Instead drawing more from the alternative rock sound that inspired their name almost a decade ago. Wolves blends the twang of the pedal steel with the dark, dirty swirl of two electric guitars, creating a sound that's fit for the roadhouse, the honky tonk and the dive bar. Barham has certainly spent time in all three, but now looks to brighter horizons in these new songs.

"I've always written about being the drunk guy at the bar at 2 a.m.," he admits. "I've written about the pick-up lines and the drinking and the drugs. This record is more personal than that. It's a coming of age record."

It's also a record that reaffirms his faith in American Aquarium, a band he started in 2006. Since that time, more than 25 musicians have passed through the group's ranks. In recent years though, things have felt a lot more stable. Ryan Johnson, Bill Corbin, Whit Wright, Kevin McClain and the newest addition, Colin Dimeo, round out the group, turning Barham's songs into fiery, fleshed-out compositions.

With Wolves, which hit stores in early 2015, American Aquarium is literally bigger and better.

"We were legitimized by Burn.Flicker.Die.," Barham says. "That album was a breakup record with the road. It basically said, 'This is our last album, this is why we're quitting, and hey, thanks for the memories.' Fast-forward, though, and we've got a new record that says, 'We ain't done yet.'"
Charley Crockett
Charley Crockett
Growing up with a single mother in San Benito, Texas, the hometown of Tejano star Freddy Fender was not easy for blues singer Charley Crockett. Hitchhiking across the country exposed Crockett to the street life at a young age, following in the footsteps of his relative, American folk hero Davy Crockett, who also lived a wild life on the American frontier. After train hopping across the country, singing on the streets for change in New Orleans’ French Quarter, busking in New York City and performing across Texas and Northern California, Crockett set off to travel the world and lived on the streets of Paris for nearly a year before searching for home in Spain, Morocco, and Northern Africa.

The blues artist returned home to Texas and released his debut solo album titled A Stolen Jewel in 2015, receiving critical acclaim in Dallas and ultimately landing him a Dallas Observer Music Award that year for “Best Blues Act”. A record “rich with Southern flavor, a musical gumbo of Delta blues, honky-tonk, gospel and Cajun jazz,” Jewel proved that Crockett, born into poverty in the Rio Grande, had come home to make his musical mark on the South. Crockett, who is self-described as elusive, rebellious and self-taught, has been compared to legends like Bill Withers, Merle Haggard, and Gary Clark Jr.

He released his sophomore record In The Night, an admirable nod to his Texas country and Louisiana blues roots, on June 4 and ended 2016 having played over 125 shows. “In the Night” and Crockett’s song “I Am Not Afraid” received international recognition from top tastemakers after being picked by NPR Music as one of the "Top 10 Songs Public Radio Can't Stop Playing” and selected by David Dye to be featured on World Cafe in late July. The Fort Worth Star-Telegram called it “an impressive calling card, full of Crockett's plaintive soulfulness and swinging tempos" and Central Track noted the artist as having "the well-rounded songwriting capabilities of Van Morrison and a vocal approach that finds common ground between Bill Withers and early Dr. John." Crockett graced the cover of Buddy Magazine in May 2016, who called him “the archetype of the new American vagabond.”

He has shared the stage with artists like Justin Townes Earle, Citizen Cope, Alejandro Escovedo, Joe Ely, Sean Hayes, Tab Benoit, Turnpike Troubadours, and Leon Bridges.
Jon Brown
Jon Brown
Jon Brown is a performing member of Horsehead & Dimmer Twins.
Bringing the influences of both bands into one unique solo acoustic set.
Venue Information:
The Camel
1621 W. Broad Street
Richmond, VA, 23220
http://www.thecamel.org